Prima Cinema to Launch Video Server for First-Run Movies

It’s been three years in the making, and the team behind the Prima Cinema digital movie server is leaving nothing to chance as they prepare for their product’s launch this summer. 

Prima Cinema, which enables the screening of Hollywood films in the home during a film’s theatrical release, is targeting only the best of the best custom installation professionals with a clients that can afford the movie server’s $35,000 hardware cost and $500 per movie download fee.

At the time of the product’s launch, there will be approximately 60 authorized Prima Cinema dealers in the U.S. that have met Prima’s strict criteria and were willing to sell the premium product. These dealers were chosen after exhaustive interviews with hundreds of potential integration partners in three years, according to Prima’s SVP of business development Shawn Yeager.

“We weren’t necessarily worried about size of a particular company,” Yeager said. “What we really wanted was quality, a commitment to service after the sale, and dealers who understood what our brand message was about.”

And during the process, he added, integrators around the country were integral in helping Prima fine-tune a product appropriate for the high-end of the market. Yeager said he went to key dealers and other high-end AV vendors, and asked them what would make the product successful and what should be avoided.

“We can’t possibly give them kind of love and credit they deserve,” Yeager noted. “These guys were incredibly generous with their time, and at the end of the day they had a great influence on what we’re bringing to market.”

The video server’s sleek design, by BMW Designworks, houses a powerful cinematic machine providing better than Blu-ray resolution, 3D support, and lossless digital surround sound. Prima Cinema automatically pre-caches and stores theatrical released movie content over a broadband connection. Members simply browse for a movie, select a movie, with no buffering, no streaming, and no unwanted interruptions, according to the company. Following the theatrical window, these films remain resident on the Prima Cinema Player for as long as they are playing in theaters.”

HomeTronics Inc., a veteran home integration firm in Texas, recently installed the first Prima Cinema digital movie server demo unit in its Dallas showroom. According to HomeTronics president Greg Margolis, the company has several clients interested in the product and one unit already spec’d into a job. Because each showroom is considered a commercial facility, Margolis said, Prima Cinema only allows 10-minute snippets of each theatrical release on those servers. Yet, he’s already very impressed with the quality he’s seen. “It’s great. We’re really excited about it so far,” he said.

As for Prima Cinema consumer models, each is designed with redundancy to avoid any single point of failure. “That’s important, because one of things we kept hearing about during product development was that if it doesn’t work every single time, it’s going to get ripped out,” Yeager said.

Prima’s proprietary security design, approved by the major Hollywood movie studios, utilizes advances in technology to provide one of the most secure consumer systems on the market, according to the company. 

And speaking of approval, Yeager noted that the movie studios have been “great” to work with. It may not hurt that one of them, Universal Pictures, is also an investor in the company. 

“Studios don’t get the credit for being as forward-thinking as they truly are,” Yeager said. “They have a very bright people who are dedicated to looking at new opportunities.”

In addition to Universal Pictures, Prima Cinema is also backed, financially, by Best Buy Capital, the investment group of retailer Best Buy Co, as well as and venture capital firm Syncom Venture Partners.

SmartGlass: Microsoft’s War for the Living Room

Microsoft’s SmartGlass promises to unite all screens in the house (including mobile devices) via the Xbox. Microsoft plans to turn the Xbox 360 into more than a games console/online media player, with a strategy clearly aimed at usurping Apple’s AirPlay strategy in the home.
Xbox SmartGlass is a Wi-Fi remote app that allows users to control both video and game content with tablets or smartphones, using the Xbox 360 console as a player. Shown at the recent E3, the app also acts as a second screen — showing extra video content related to the content on screen. (One interesting E3 demo uses HBO TV series Game of Thrones, with an interactive map on the tablet while the console plays an episode.)
The app will be available for both iDevices and Androids, as well as (obviously) Windows 8 tablets/laptops and Windows Phone.
According to Microsoft, more American customers are using the console to consume media through Xbox Live apps for services such as Netflix and Hulu than playing online video games, for which the console was originally designed.

Stewart Introduces CIMA Screen Line

Stewart Filmscreen Corporation has introduced CIMA, a new screen line offering standard configurations and sizes for projects that are less need specific, but still demand quality, durability and performance.  
 stewart CIMA screen

“Our team set out to create the high-quality screen solutions for a broad range of basic applications, and the new CIMA line was born,” said Grant Stewart, president, Stewart Filmscreen.  “The CIMA line maintains the exceptional screen performance that generations have come to expect from the Stewart Filmscreen brand, with unsurpassed screen uniformity and product fit and finish.  Standard sizing with limited options allow for manufacturing efficiencies, meaning this product can be ordered and shipped in a matter of days. Now we can address the needs of a much broader range of applications, providing our dealers with expanded opportunities for Stewart product.”
 
With CIMA, Stewart provides integrators with a screen solution that has been designed to deliver under a wide range of viewing conditions and at a competitive price. The line offers basic screen configurations in both white and gray screen material depending on the environment. The NEVE white screen material is ideally suited for applications where lighting control is available, while the TIBURON gray screen material is optimized for applications with less lighting control.  
 
CIMA by Stewart Filmscreen is available in fixed frame wallscreen, above ceiling electriscreen, and below ceiling electriscreen mounting options for maximum versatility and ease of install. Electric roller screens come with optional IMC low voltage control for interconnectivity. CIMA screens make installation a straightforward process and the available options are intended to suit most any standard commercial or residential purpose.

Key Digital Offers Audio Management Solution via HDMI Matrix Switcher

Key Digital announced this week a new solution for the problem of managing audio via its KD-HD8X8BT Digital IQ HDMI Matrix switcher.

With the proliferation of a wide variety of audio formats and the increased demand to be able to utilize all of these various formats, it is becoming increasingly difficult to both manage all of these formats and preserve the best audio quality for the consumer. Key Digital’s new KD-HD8X8BT 8×8 HDMI matrix switch can help integrators with these issues.

For example, let’s assume you use KD-HD8X8BT in three zones with different characteristics:

  1. Zone with a flat screen TV with built-in stereo speakers. For this zone you will need HDMI with a stereo audio signal.
  2. Home theater zone with the latest 7.1 channel AV receiver, speakers, and flat screen TV
  3. Home theater zone with an older non-HDMI 5.1 AV receiver capable of Dolby Digital with flat screen TV

KD-HD8X8BT can help with these zoning requirements through the EDID control feature.

For Zone 1, the installer would make sure that L/R stereo audio is available from every source. On output 1 you would program that output to insert PCM stereo into the HDMI signal instead of any other audio format. The PCM stereo is created and outputted in place of L/R stereo inside the switcher.

For Zone 2, you would pass the HDMI signal (containing authentic audio) with its highest quality available audio format. For sources sending DTS-HD, DTS-HD would be the preferred audio format for this zone. The flat screen TV can be connected to the HDMI output for the AV receiver associated with this zone.

For Zone 3, the HDMI output is programmed to insert Dolby Digital 5.1 surround sound. The PCM coaxial output will provide Dolby Digital to the AV receiver. This zone will only have audio available from the AV receiver and speakers, the flat screen TV will ignore the Dolby Digital audio and display only video.

Savant’s award winning interface, TrueControl, is now available for Mac

Offer your clients something truly unique. Now you can transform any Mac computer into a Savant user interface – including the MacBook®, MacBook Air®, MacBook Pro®, and iMac®. Now you can deliver your clients control from any Mac computer, whether in their home, office or around-the-world.

 With TrueControl for Mac you can offer…

  • A Savant automation and control user interface from the desktop of Mac OS® X, allowing you to enhance existing systems to add more control in more places, or use any Mac as a main control interface to provide a complete control solution without an iOS device.
  • Control of lights, climate, music and more all from a familiar layout. Savant TrueControl for Mac will display an identical layout to a client’s iOS devices, allowing for minimal training and maintenance.
  • Additional control points and system monitoring ideal for control from the home office, professor’s computer, or reception desk.
Download is $99 from Mac App Store. Visit the Savant Portals for training and more information on how to implement TrueControl for Mac today.

Planar Mosaic Architectural Displays

Planar Mosaic is the only video wall system that allows designers to integrate three different LCD tile sizes and shapes—including a truly square LCD tile measuring 21.6 inches on the diagonal. The Planar® Salvador™ is a trend-setting 1:1 aspect ratio tile measuring 15.6 inches / 39.5 cm on each side, that allows for creative installation and is akin to the shape of other building materials. The Planar® Vincent™ (48 inches / 122 cm wide) and the Planar® Pablo™ (40 inches / 103 cm wide) are both rectangular LCD tiles. Using the proprietary Mosaic Ensemble™ package of hardware and software, the tiles can be rotated at virtually any angle and mounted in any position, encouraging designers to experiment with negative space while extending project budgets.

The Planar Mosaic video wall system features energy-saving LED backlit displays, consuming less energy than traditional LCD displays. The video tiles boast a slim installation depth of less than 4 inches (10.16 cm), which is compliant with the Americans with Disabilities Act (ADA).

 

SoundTube Debuts Totally IP Distributed Audio System

The SoundTube ST-NET system is an IP-addressable speaker system that drives 40 watts PoE (Power over Ethernet) to each of its speakers. The system includes a rack-mountable 16-port switch, rack-mountable power supply and in-ceiling and surface-mount PoE powered speakers. In addition to the 16 Ethernet ports, the ST-NET switch includes two gigabit ports for linking of switches and control gear and a WAN port for connection to an outside network.

Using the CobraNet audio standard as its backbone, the system allows each SoundTube speaker on the network to be powered, controlled and receive the digital audio signal via its Ethernet cable. Set up and equalization can be done individually or as a group. Each speaker can receive different audio signals and is continuously monitored by the system to provide report-back status to the main control point. Any failure in the speaker will immediately trigger an alarm (either visible, audible or both), and the system can be configured to send an e-mail message to the installer or end user detailing the status of the system. The ST-NET switch and speakers are compatible with all other CobraNet-enabled control systems, and multiple SoundTube switches may be linked for large distributed speaker systems.

Planar Debuts Zero-Bezel LCD Displays

Today Planar is announcing what it’s claiming as the industry’s first infinity, zero bezel 60″, 70″ and 80” family of LCD displays, configured for multiple solutions within digital signage applications. Saying they were engineered from the ground up to be the digital signage displays for large format LCD needs, Planar says its UltraLux Series are all ADA compliant for indoor advertising, retail/corporate brand communications and large format way-finding applications. They really aren’t totally bezel-less, but they do have the smallest bezel of any commercial LCD we’ve seen so far.

Every model is native 1080p, less than 3″ deep and have a hinged mount and kickstand design to provide easy tilt-out access to electronics modules on the back. Each one features an edge-to-edge layer of Planar ERO glass that gives the display the appearance of having an “infinity edge” and protects it in high-traffic areas.

Russound Ships Bluetooth Wireless Adapter

Russound has revealed the BSK-1 Bluetooth Source Kit, a high performance wireless audio kit for enabling all portable Bluetooth-equipped devices to stream content to any multiroom audio system regardless of brand.

 russound bluetooth

The BSK-1 features a unique two-piece design comprising of a Bluetooth transceiver and separate audio interface receiver with built-in active balanced line drivers for maximum signal clarity; this design enables the units to be placed up to 300 feet apart. With an in-room Bluetooth wireless range of up to 100 feet in line-of-sight applications, the BSK-1 meets all requirements for premium quality Bluetooth wireless connectivity and performance, according to the company.

The BSK-1 audio interface uses a single CAT-5 cable connection to the Bluetooth audio interface receiver for communication and power. A single cable connection provides installation flexibility, enabling it to be mounted on a table top or discretely hidden inside a standard electrical junction box. The BSK-1 integrates with all multiroom audio system installations, offering maximum flexibility when paired with the Russound C-Series line of multizone audio systems.

The BSK-1 enables high performance Bluetooth audio streaming to all multiroom audio installations regardless of brand; offers a 2-piece design with built-in active balanced line drivers eliminating the requirement for external audio balun transformers. An audio receiver and Bluetooth transceiver may be separated by up to 300 feet using a single CAT-5 cable. It offers bluetooth wireless range capable of receiving device signals up to 100 feet away when installed in line-of-sight applications.

Runco LightStyle LS-1 Home Theater Projector

There are luxury brands that we all know—Mercedes, Louis Vuitton—and there are luxury brands that are known primarily among aficionado groups—Cohiba cigars, Sage fly fishing rods. Runco tends to be a brand that falls more in the second category. It has a reputation for offering spectacular, and spectacularly expensive, home theater projectors. For instance, at a CEDIA Expo press conference in 2011, the company spent most of the 40 minutes demonstrating a jaw-dropping projector that clocks in at over $200,000. That’s without the screen or the popcorn.

Why do I point this out—because alongside such extravagances, the company now offers a product that will get the Runco name, along with a lot of the Runco prowess, into homes for a lot less.  Last year the company introduced the LightStyle line of projectors which tend to be less expensive than Runco’s other systems (though the three-chip models do get up there). They also don’t don’t look like industrial air conditioners. The LS-1 reviewed here carries an MSRP of $3,999.

Actually, being round and squat, they look a little like Roombas. That’s not a bad thing. These are stylish little projectors (you can also customize them with a color palette or team logo) that won’t look at all bad snugged up against your ceiling.

The LS-1 is a single-chip DLP projector. The company specs rate it as having a 10,000:1 contrast ratio and 780 ANSI lumens brightness. That seems a bit low since other companies offer cheaper models with more than 1,000 lumens, but you’ll see from my testing, that performance wasn’t hindered by that number.

Setting up the Runco, I found that while it’s an entry-level product, it certainly didn’t feel like it when I lifted all 18 pounds of it out of the box. With that kind of heft, either the company packed in some extra sand bags, or it’s got a lot of heavy-duty features making it work.

The second thing I noticed was that the inputs all seemed to be missing. Actually they’re nicely covered by a removable panel. This is one of those features that make the projector look more like something you’d want in your family hang-out room and less like something hanging from the ceiling in a classroom.  Accessing the input panel I found two HDMI ports, 1 component, 1 RGB, s-video and composite plus an RS-232 for control systems.

On top there’s a small control panel for access the menu and such, but you’re much better off depending on the remote for all those operations.

Speaking of the remote—it’s backlit so you can use it in the dark, and it’s logically organized and easy to use.

Runco has being catering to the video enthusiast long enough to know what people expect, so it wasn’t a surprise to find features like ISF day/night settings for calibration, built-in test patterns and Runco’s ViVix processing. All of that shows the projector was designed to be tweaked for a good picture.

Of course, in this case, the projector didn’t need to be tweaked very much. I aimed it at a 106-inch Seymour Screen Excellence screen with a .98 gain. Runco includes a manual vertical lens shift to help you hit the bulls eye—in this case you access the lens shift by lifting up the Runco logo and turning a mechanism with an included allen wrench.  After that, a little adjusting in the picture menu and I was off to watch some video.

First, the projector did an excellent job on test patterns, so I played a few Blu-ray movies. I started with the snow board documentary The Art of Flight. This disc is a beauty, so get it if you don’t already have it. The wide shots of snow-covered peaks against blue skies looked stunning. The picture capture all the depth and variation in the different shades of white to gray you find in snow and ice coupled with the shadows of the mountains.

In one scene a helicopter hovers over the mountain, its blade rotating in slow motion. I expected the spinning of the chopper blades to create artifacts, but there were no jagged edges or mosquito noise anywhere to be seen. In another scene where a brightly-clad snow boarder launches across the screen, his board at a diagonal and nothing but a blue sky behind him, every edge was perfect.

I moved onto footage with more dark scenes, including Avatar and Harry Potter and the Deathly Hallows II. In both movies, the projector created very rich colors with fine detail, and dark scenes also looked good. Blacks were deep and showed detail in shadows, though I’ve seen somewhat better on LCoS projectors in the same price range.

As noted above, this projector is not excessively bright—it’s best great in a dark to moderately dark room. If you want to watch a football game during the day with the lights on, don’t expect the deepest contrast.

Some people shy away from single-chip DLP because of the rainbow effect—an artifact caused by the projector’s color wheel. I’m not terribly sensitive to that anomaly, but I can see it and know how to look for it. On this Runco I did not experience it even once. I tried, but nothing. This is only single-chip projector I’ve seen that, at least for me, exhibited no rainbow effect at all.

Altogether, this is a great, reasonably-priced projector that gives a significant improvement over the bargain projectors in the $1,000-$3,000 range. If I had to nitpick, I’d have to say the lack of 3D might be a turn-off, considering the fact that there are several 3D projectors for about the same price (JVC’s DLA-X30 comes to mind). This unit also seemed a little loud, but most of the time I used it without any accompanying audio (and I was sitting right next to it). In a normal ceiling installation the projector will be farther from the viewers and have a soundtrack to cover any fan noise.